Some interesting products for Photographers and Filmmakers.
It’s been a long time we don’t post a new Conversations with Friends Episode. There are too many reasons, but what matters is that today we have a new Episode (number 8). We met with Carlos Fuchs, a professional filmmaker based in Frankfurt, lighting expert, and old friend. I had the privilege to walk Photokina for one day with him, and as we saw and played with many new and amazing technologies, he mentioned that “the more things change, they stay the same.” Watch the short clip below to learn what’s his take on new camera and lighting technologies. My apologies in advance for the crappy sound. I brought a sound recorder with me, but didn’t have my trusted Rode mics with me.
We had exactly 30 minutes to shoot this conversation, and I’m glad we made it happen. Prost!
Source: eduardoangel.com
Interview with ADF at Photokina.
Here’s another interview from last week at Photokina, this time for the Arbeitskreis Digitale Fotografie or ADF, which means the “Working Group on Digital Photography” and is the equivalent to the APA or ASMP in the U.S.
This link has an interesting collection of photography links in Germany, including museums, education, journals, and other relevant online services.
Source: eduardoangel.com
Life after Photokina: Samsung’s Galaxy Camera.
News from Photokina are like Fall leaves. They are everywhere and it is hard to know where to start taking care of them. Because of that, we are doing two things: a few blog posts highlighting the most interesting and influential products, and a paid Google Hangout on Monday October 15 at 1pm EST, where we will discuss what we saw and learned, and how it will affect your business in 2013.
Photokina is a huge show. There are nine giant exhibition halls and most of them are two stories high. Every corner of these buildings is filled with everything having to do with the photo industry. Canon, Leica, Nikon, and Sony introduced full-frame 35mm-sized sensor cameras, ranging from compact (Sony) to low-cost DSLRs (Canon, Nikon) to high-end pro rangefinders (Leica). Almost everybody claimed significant reductions in shutter lag and focusing speed, and many manufacturers added some form of Wi-Fi connectivity. If you think the iPhone 5 blurs the lines between cameras and smartphones you haven’t seen Samsung’s Galaxy Camera, by far the most original product we saw at Photokina.
As we saw before with Nikon’s Coolpix S800c, Android is rapidly becoming the OS of choice for smart phones.
So far what has distinguished mobile phones from basic digital cameras is the absence of integrated zoom lenses. Until now that is. Imagine an Android Tablet like Google’s Nexus 7 that is the size of a smartphone (4.8 inches) with an HD Super Clear LCD touchscreen, a 1.4Ghz quad core processor, and 8GB of internal storage. Now add to it a 21x zoom lens that goes from 23-481mm (35mm equivalent), a 16MP BSI CMOS sensor, and an ISO of up to 3200. The 1/2.3 sensor is capable of recording slow motion video at 120 frames per second and 720x480 resolution. The output quality remains to be seen. While the Galaxy does not have a real phone, it comes fully equipped with 3G/4G wireless supporting apps like Skype and Google Voice, which are rapidly replacing traditional services.
The device feels a bit bulkier than expected, but the fact that users can quickly open, edit, and share images might attract younger demographics (also, its size makes playing games a comfortable experience). Very soon the question will not be whether to use cameras or smartphones, but, rather, which new combination of camera plus smartphone to use.
You can add this one to my ”contrarian” list, but I believe Samsung is the new Apple.
UPDATE 1004 AT&T the first U.S. carrier to embrace Samsung’s Galaxy Camera.
Source: eduardoangel.com
Photokina TV Interview.
Earlier today we sat down for an interview for Photokina TV in Cologne, Germany. Here’s a segment that is available online:
Source: eduardoangel.com
Photokina 2012 focuses on HDSLR Video.
Every two years there is one focal point in the Photo industry: Photokina, the world’s leading imaging fair. Photokina covers the entire spectrum of imaging, from image capture to image processing and storage to image output. This is where new trends and major innovations are presented to the world, and where the spotlight is on groundbreaking technological developments including mobile imaging, connectivity, and moving images. The show always delivers an impressive program of workshops, symposiums, photography exhibitions and many special events at the exhibition centre and at sites all over Cologne.
As you might know every Photokina show focuses on one single topic. Because filming with HDSLR systems is increasingly becoming a necessity for professionals, this year’s topic is HDSLR Video.
The show has created a “Shoot Movie Park” in Hall 4.1, offering a unique area where suppliers have an optimal location to present themselves to the attendees. The Movie Park will be supplemented by a series of lectures, workshops and exhibitions. Canon will present Richard Walch, sailor, snowboarder and photographer. Zeiss will have Sebastian Wiegärtner, one of the first users in the German-speaking region to understand and make use of the capabilities of the new HDSLR systems. We are very excited to be representing X-Rite, and show our most recent Color Management Video Tutorials (Video 1, Video 2 and Video 3).
Representatives of ADF — Arbeitskreis Digitale Fotografie (digital photography working group) will also be sharing their expertise as they answer visitors’ questions about digital photography and film. More information about the “Shoot Movie” program can be found here.
Stay tuned! We will be sharing the most exciting news and products live from Photokina via Twitter and Facebook. If you are not yet following us, do so today!
Source: eduardoangel.com
A movie about the most inspiring Brazilian artist you’ve never heard of.
My extremely talented friend Andre Constantini has been working on a feature film called “Bel Borba Aqui.” The movie is about the most inspiring Brazilian artist you’ve never heard of.
While chatting with Andre about the film and his current Kickstarter campaign, I was schocked to know that they have well over 600 hours of footage. Andre shares here snippets of our conversation.
It’s Exponential
I just recently completed my first feature documentary film. With over 600 hours of footage and 3 years in the making, there has been a lot of time invested into the project. I had made short films before but increasing the scope of any project of this magnitude seems to exponentially increase the time it takes to complete it. But I digress, before you start a documentary it helps if you know the story you want to tell or the topic you want to explore.
Put It Out There
One year before I even knew that the subject of my film, a Brazilian artist living in Salvador, Brazil existed, I had a conversation with a colleague of mine expressing my desire to make a feature documentary on a living artist. A year later, I received a phone call from the same colleague stating that he found him and he was in Brazil and that I should come and meet him to see if it would work out.
Always Be Ready to Go
Even though we were just supposed to discuss the possibilities, on the first trip, I brought all of my equipment to shoot and after meeting the first day, we started shooting the second day. When I returned from my week long trip, I had already filmed for three days. This was enough to start cutting a short piece together to excite the subject and support.
The Edit Room
The editing process went along simultaneously with the shooting to some extent, coming up with rough sequences or themes. The key is not the is not where you start, it’s THAT you start. I find that as you have an idea for one scene or footage that you know worked out or you like, start there and find other footage that supports it visually or thematically (maybe even both). This part always takes the longest. But plan to have plenty of time to do this. Personally, I am best when I have large chunks of time where I can focus without distractions.
Here’s the Trailer:
The film is scheduled to release theatrically on October 3rd for a two week run at Film Forum in NYC. Let’s support Andre with his Kickstarter campaign. It could be you needing financing in a few years…
Source: eduardoangel.com
Robotic Photography.
Like many of you, we have been (sporadically) following the 2012 London Olympics. This year, we have noticed that the visuals are stunning. After some quick research, it turns out most of the camera work done for the Olympics is actually not done by human photographers, but with robotics. Footage from the air, sweeping panoramics, and beautiful underwater views are now captured with increasingly complex remote controlled devices.

Robotic Camera Rigs
Turns out that for security reasons, the Olympics Committee has even banned photographers from the stadium roofs. Because of this, The AFP team came up with dozens of customized robotic camera systems. Each rig is equipped with a Nikon D4 and a 16-400mm zoom lens. Watch APF’s fascinating robotic innovation process:
Obviously, the Olympics are not the only place where robots are being used to capture photography and video. Robotics are essential to research some of the more dangerous locations on Earth for extended periods of time. A great example is the Robo-fish, used in northern Spain, that monitors pollution levels with a sensor that detects it, and alerts scientists right away.

For social research, there is Boxie, a mobile robotic camera to gathers information about its environment interactively and autonomously.

There are even museum-guide robots currently being designed for people unable to physically visit the facilities, while allowing them to browse collections from their home on computer screens. This can potentially be used as an additional learning tool in schools.

Microsoft is also working on a “party photographer” robot that has navigation and sensory capabilities, allowing it to move around autonomously, snapping photos at events. I very much doubt that the camera’s low-angle perspective will deliver fashion-quality images, but it is just a concept for now (I hope!).
Carnegie Mellon University has created snake robots that climb into patients through tiny incisions to operate with far less damage to the body than an actual surgeon would cause in performing the same surgery.
Lastly, the successful landing of the Mars Science Laboratory a.k.a. the Curiosity Rover has spread interest for the red planet among many scientists. Watch the Seven Minutes of Terror video put out by NASA’s Jet Propulsion Laboratory to explain why this landing on Mars was the greatest technical achievement in robotic space flight in history. Two images have surfaced minutes after the landing. Truly incredible!
Robots and photography are here to stay. What do you think?
August 15, 2012: Update – NASA has just released this beautiful image from the Curiosity Rover on Mars yesterday.
Fasten your seat belts folks!
Source: eduardoangel.com
Canon EOS M Images.
Yes, the answer is a most emphatic YES to everyone who has asked if I plan to purchase the brand-new Canon Mirrorless system. I just placed my order here. You have until October to change your mind. I seriously doubt I’ll change mine.
So, in a nutshell, we have a tiny camera body with a powerful DIGIC 5 image processor, and a very nice APS-C 18.0 Megapixel CMOS sensor, which is the same sensor size one finds in the wonderful EOS 7D and EOS 60D. The touch screen and UI are virtually identical to the brand new Rebel T4i. Apparently you can purchase the body only, but I have only seen the kit with the EF-M 22mm ƒ2.0 pancake lens. All the expected features like ISO settings from 100 to 12800, with expansion to ISO 25600, standard aspect ratios (3:2 plus 4:3, 1:1 and 16:9), and 1080p at 24/25/30 fps and 720p 50/60 fps are there, BUT now we have continuous autofocus.
The hybrid (stills and video) AF system uses “phase-difference AF to achieve approximate focus and drive the lens at high speed, then switches to contrast AF for final focusing.” The movie files are recorded in MPEG-4 format, using AVC.H.264 compression and a variable bit rate. Program as well as and manual shooting modes are supported in movie mode.
And the cherry on top? The EOS M will take EF lenses thanks to the adapter shown below. Enjoy the view.
Source: eduardoangel.com
Source: cavetocanvas.com












